Bir süre İngiltere’de ve Almanya’da bulundu. Galatasaray Lisesi’ni (1946), İstanbul Üniversitesi Hukuk Fakültesi’ni (1950) bitirdi. "Pazar Postası, Ulus ve Forum" ilk dönem yazılarının yayımlandığı yerlerdir. Yurda dönüşte Kavaklıdere Şarapları’nda yöneticilik yapmaya bir yandan da müzik, bale, opera, tiyatro ve edebiyat konularında yazılar yazmaya başladı. Turkish shadow puppetry full#I am also frustrated by And's ignorance (or misrepresentation) of the content of Ibn Daniyal's plays, but this may not have been intentional.ġ) There are about 80 gorgeous full color images of Karagöz puppets.Ģ) And describes in detail how the shows actually work, how the puppeteer manipulates the puppets, how the screen works, who works backstage with him, etc.ģ) And briefly discusses a history of theatrical performance in Türkiye.Ĥ) And details the different possibilities and arguments related to the origins of Karagöz in what feels like a very comprehensive discussion.ĥ) The descriptions of the stock characters is messy but not without good information the descriptions of some of the Karagöz scenarios is quite delightful if rushed.moreġ7 Haziran 1927’de İstanbul’da doğdu. I suspect that And is right about all of this, but the tone is very strange for a text such as this one. There are numerous spelling errors on each page, and there is an entire, very strange, polemic section where And argues that Greek shadow theatre derives from Turkish shadow theatre and that any arguments to the contrary are fueled my nationalism and xenophobia. I suspect that And is This was promising, and I really would like to know more about this theatrical form, but this book (I read the first edition, so there may be many improvements in subsequent ones) is a mess. This was promising, and I really would like to know more about this theatrical form, but this book (I read the first edition, so there may be many improvements in subsequent ones) is a mess.
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